Interview with Luke Eastwood: A Druid's Journey (first published in May 2015)

in conversation with Luke Eastwood:

Luke is a musician, poet, painter, photographer and the author of The Journey and A Druid’s Primer, as well as numerous articles on subjects ranging from politics to horticulture. He currently writes a blog for Moon on Druidry and Celtic belief. I caught up with Luke to quiz him on his many projects.

Mabh: What inspired your original interest in Celtic culture?
Luke: It has been so much part of my life for so long that I can’t remember where it started. My father sometimes enthused about Bonnie Prince Charlie and King Arthur, which left a deep impression; my Granny bought me fairy tales – I remember being read ‘Peronique’ (a Breton tale I still have) in a picture book version before I could read myself. I had a set of Ancient Briton and Roman soldiers about 1 inch high that often fought for hours on my bedroom floor, the Romans usually won as they had all the sexy weaponry!

MS: And how did this lead to your involvement with Paganism?
LE: I had been a Roman Catholic but found myself dissatisfied with it, although I did feel attracted to the teachings of both Jesus and St. Francis. I could see that the true roots of Christianity had become obliterated by the Romans and in looking through the dark history of the Church I discovered that much of R.C. ritualism is derived from European and Middle-Eastern paganism. At this point in time I had come to regard Jesus as a prophet, like Moses or Muhammad, so it was not much of a leap for me to abandon Christianity completely and become a Pagan. Being strongly connected to nature, Druidry/Druidism seemed the obvious best fit, although I did investigate Buddhism, Hindu pantheism, Hermeticism and Wicca on the way to choosing this path.

MS: I know from experience that studying Celtic history and mythology can be arduous and time consuming, although always rewarding. What have been your finest resources, and what source do you return to again and again?

LE: Yes it is extremely time-consuming but ultimately rewarding as you say. Apart from the many people I’ve learned from (often informally) I’ve found many books to be incredibly useful and/or insightful. To name just three I’d suggest – ‘The Religion Of The Ancient Celts’ by J.A. McCulloch, ‘Irish Trees – Myths, Legends & Folklore’ by Niall Mac Coitir and ‘The Celtic Heroic Age’ by John T. Koch & John Carey. can be wonderful but book knowledge alone is useless in my opinion. Experience of living and working spiritually is far more important but at times the ‘knowledge’ accumulated suddenly elucidates an experience or gives some frame of reference that completes the picture. Without the living and breathing experiences, the sum of all I’ve read is just so many pages in a dusty old tome, as dead as the wood from which the pages came!

MS: You paint, write poetry, books and articles, make music and take some beautiful photos as well. Is there any particular medium in all this creativity that you connect to more than the others, and why?

LE: No, there isn’t a preference I’m aware of. It has occurred to me that I’ve gone through several creative phases in my life, some overlapping slightly. In the last few years writing has been my main focus and it will probably continue to be so until my intuition draws me elsewhere. I am unable to work to order creatively for myself, I do only what feels right, so I’d be hopeless if I had to rely on it for an income. I suspect I’ll return to playing music fairly soon, it’s something that has always been part of my life in some form.

MS: What drew you to Druidry initially?
LE: I can’t really explain it. I think it appealed on a subconscious level. I had great difficulty in finding out about it, most of the books I found were very shallow and uninformative, which lead me to explore other less obscured areas, such as Hindu Culture. However, I remember walking past a bookshop in Swiss Cottage, London in 1996 and seeing ‘The Book Of Druidry’ by Ross Nichols in the window. I rushed in and bought it, even though it was £20 or something ridiculous like that. This was the first book I’d come across that was written by a real Druid as opposed to some academic or historian.

MS: And now, what is the most vital part of being a Druid for you?
LE: For me, being able to go outside and watch the world happening seems more vital than anything. If I were unable to do that I think I’d be incredibly unhappy.

MS: Was this part of what inspired you to write The Druid’s Primer?
LE: I didn’t feel that any one single Druid 101 book was sufficiently in-depth or comprehensive to provide a useful guide in one volume. I’m not sure that TDP is either, but it is my attempt to compile all the basics from all of the Celtic traditions I could find. In particular I was keen to promote the Irish traditions and knowledge which has been neglected, as well of that of the other Celtic/ex-Celtic nations.

MS: What advice would you give to someone with an interest in pursuing Druidry?
LE: Try to find the fine line between experiential, intuitive practice and academic, knowledge acquisition. Knowledge was always an important aspect of Druidry but so too was creative, empathic and intuitive skill. To be balanced I think we need to try to develop both sides of ourselves in a harmonious way so that what we do and what we know become integrated completely into who we are.

MS: Can someone be a Druid without worshiping any particular deity, or perhaps without honouring a deity at all?
LE: Not everyone would agree with me, but I would say yes to both. I would say that it is essential to have some understanding of the Celtic concept of deity and the mythology associated with it. However, many people have a nebulous sense of deity or even regard nature itself as the source of divinity or perhaps even just the source of life. I don’t see why such theological differences would stop someone from being able to live a Druidic life; I’d say that sincerely walking the path is more important than points of dogma.

MS: Tell us a bit about your recently republished book, The Journey. What was the key message you wanted to convey?
LE: In truth the way that we live is more important than what we profess to believe. Our deepest beliefs and concerns are demonstrated and manifested by the choices we make in how we live in the world. Much of the truths about human experience and the universe (from a human perspective) seem to me to be independent of the religion from which they originated. It strikes me (using a crude analogy) that many religious people are obsessed with the colour of the car they are driving or that other people are driving, when what is really important is keeping your own car on the road!

MS: You play an astonishing range of musical instruments; do you think this talent ties back to Celtic ancestry at all?
LE: I really can’t give a definite answer. I can say that my recent ancestors and relatives, including my father and grandfather have been very musical. I’ve been listening to music since I was born so it’s almost part of me at this stage. My siblings and my daughter all play instruments too, I guess it’s a minor compulsion in my family!

MS: And do you have a favourite instrument?
LE: I suppose guitar is my most played instrument but recently I’ve an urge to get back to playing the cello. I’m very rusty right now, but it has such a wonderful sound I really think I should make more time for it.

MS: Your bio says you are currently working on a novel; can you tell us a bit about that?
LE: It’s a sci-fi with a spiritual element to it. I’ve projected some of the current concerns relating to secularism and religious strife into the future surrounding one particular character who experiences a momentous, life-changing event. That’s about all I want to say, any more might reveal too much.

MS: What other projects do you have on the horizon?
LE: I’d very much like to write a book on sacred sites, cross referenced with some of the most ancient writings related to each of them. Although I love photography it might be interesting to work on this in conjunction with a photographer with a different view of such places.

MS: Do you still write poetry? What themes inspire you?
LE: Yes I do, but only when I feel inspired. That might happen three times in one week or once in a year. I appear to have no control over when I write poems. Nature, love and modern society are three themes that seem to crop up over and over again; usually something that has happened or something I’ve seen will inspire me and the words will just come flooding out.

MS: You write on many socio-political themes. What currently has you fired up?
LE: Injustice is something that makes me very angry – injustice to the weak and impoverished of the world and also injustice to the natural world. I think that inequality is a perennial problem and in some countries it seems to be getting worse not better. As the human population grows the stresses on the planet and on human society are growing, I really think that we need to collectively find creative and fair solutions fast if there is going to be any kind of future worth having.

MS: Tell us a bit about Éigse Spiriod Ceilteach. [Gathering of Celtic Spirituality]
LE: I was very inspired by Féile Draoíchta (Festival of Magic & Spirituality) in Dublin, which is run by Barbara Lee and Lora O’Brien. Basically I decided to copy their idea and move it outside into a rural setting, but focusing more specifically on the Celtic end of magic/spirituality. Both ladies have been very supportive with advice and Lora also gave us a talk in August just gone. 2014 was our 5th year and I’m delighted by how it has gradually grown since the first one. For me being outside is the main plank of my spiritual practice and I’m keen to provide others the opportunity to share that kind of experience with other like-minded people.

MS: You’ve had a very interesting spiritual journey it seems; from being raised Catholic to an interest in Buddhism, to studying Wicca and eventually becoming a Druid. Do you feel that where you are now is where you are meant to be, or is there still a further journey ahead for you?
LE: Yes I suppose it is a bit strange, I guess I’ve wandered like a stray dog until I found a comfortable spot to rest! I’ve learned a great deal from exploring these different paths and I’d be a different person than I am today if I had not done so. I do feel that I am where I am meant to be right now but of course there is still more to come. We are always learning every day, there is always something new to learn. I think that the day that I feel I have nothing further to learn from life is the time for me to shuffle off this mortal coil.